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Q&A: Meet Colorado’s new state historian

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Susan Schulten, who holds a doctorate in history, is the new state historian for Colorado. Photo: Amanda Horvath, Rocky Mountain PBS
Q&A
DENVER — There isn’t a lot of evidence of Susan Schulten’s passion for history inside her century-old Congress Park home. But armed with a cup of tea and decades of expertise, she is entering her tenure as state historian with a palpable excitement. 

History Colorado named Schulten as the new state historian on Aug. 1 becoming the latest in a long line of state historians selected by the organization to preserve, interpret and share the past since 1924.

Schulten, who earned a doctorate in history from the University of Pennsylvania, has called Denver home since the 1990s. She teaches history at the undergraduate level at the University of Denver and has written several articles and five books, including "A History of America in 100 Maps."

Schulten has also been a part of History Colorado’s State Historian’s Council for the past three years. The council, made up of five historians, advises History Colorado on content like magazines or exhibits, while also hosting lectures and workshops. 

2026 will mark momentous anniversaries for the state of Colorado and the country. Next year will be 250 years since the United States declared independence from Britain, and it will also mark 150 years since Colorado joined the Union. 

History Colorado tapped Schulten for this position this year specifically because she has a focus and interest in American and Colorado history. She will continue teaching full time while in this role so she will be figuring out the balance, but she is excited to take on the challenge. 

This conversation has been edited for length and clarity.

Rocky Mountain PBS: What hopes or plans do you have while you're in this position for this next year?

Susan Schulten:  I think that it's a pretty open and fungible position. It's voluntary. And that can be a blessing and a curse in some ways. You feel like, ‘Wow, there's so many expectations.’ But in another way, you can really tailor it to what you're interested in. And, for me, there's a couple of areas. 

Serendipitously, I learned just a few weeks ago that East High School is celebrating two big anniversaries this year. The 100th anniversary of being in that beautiful building and the 150th anniversary of the school, which originated downtown at 17th and Arapahoe. So I'm sort of a bystander in all that and cheering them on because the students found time capsules hidden away behind one of the pillars in the lobby. And so there's this wonderful year ahead for them to bring the history of their school together.

But stepping back, more broadly, I think what I'd like to do is to really integrate Colorado history into a larger national story. When I moved here almost 30 years ago, [I learned] that Colorado territory was created in the middle of the secession crisis that preceded the Civil War. And that was a wonderful moment and reminder for me that the development of the West cannot be extricated from the larger national context, and especially what I consider to be the turning point in American history, the Civil War.

And in fact, the territory is only made possible once southern states leave the Union, and the Republicans and the northerners can sort of bring Colorado and other territories [into the Union]. Kansas statehood happens exactly at the same time.

I think in our minds those two stories are separate, that the Civil War is happening out East and out West it’s all mineral rushes, conflicts over land, homestead settlement, conflicts with Native Americans. But we don't often think of the stories as integrated. And so that's one example of putting Colorado at the center of American history.

RMPBS: Maps are a passion of yours, but you've dabbled in a lot of different mediums – podcasts, magazines, exhibits. Why do you think that's important for conveying historical knowledge?

SS: I have done a lot in the years that marked the 150th anniversary of the Civil War. I wrote a long series for the New York Times on the geography of the war, using old maps and other documents, cartoons. And that was completely thrilling and exhausting. It was a lot of pressure. I always worried about it, but it was thrilling to me to have for that four year period, a larger sort of platform or megaphone or stage ... and to see in real time people responding. 

Most of my books have taken me several years to produce. And so it can be fun to have that more immediate feedback. I'm particularly thrilled to be with people in the same room, for instance, whether it's students or the talks I give downtown or elsewhere around the country, because that can be … live and electric. It's an exchange of ideas. And you just never can imagine how much knowledge is going to come out.

RMPBS: Since you love maps, do you use a GPS or do you use an old-fashioned map if you're driving around? 

SS: I will confess that if I'm traveling in a new city, and behind the wheel of a car, I do rely on GPS. I grew up in California, and we have what we call Thomas Guides, which were books and that each one was a piece of the grid. And I would follow my mom as she drove to different errands.
Schulten poses with her book, "A History of America in 100 Maps." Photo: Amanda Horvath, Rocky Mountain PBS
Schulten poses with her book, "A History of America in 100 Maps." Photo: Amanda Horvath, Rocky Mountain PBS
RMPBS: As a historian of American history, how do you reconcile feelings of pride in your country with some parts of history that feel shameful?

SS: Yeah, I think about that all the time. The privilege of being a teacher is that you get to work out that conflict every day. In other words, there hasn't been a year in my 30 years of teaching where I haven't had students who aren't both ardent patriots and ardent critics. We're all in the same room, and we sort of learn from one another.

I have come to really passionately believe that students and the public want the complicated story. Now, that doesn't necessarily mean being a relentless critic and focusing only on, as you put it, the shameful moments. It means that the full story is more complete and fascinating. It's more satisfying. In other words, I've never found my students to want some kind of sanitized picture, but I also am pretty careful to remind them that this is the only country in the history of the world based on an idea. And that we always fall short, but the idea is pretty remarkable.

RMPBS: Do you feel like addressing those difficulties and complications reflects more of the human in the history?

SS: Yes, there's one data point that really brought that home to me when I was studying history as an undergraduate at Berkeley. A teacher said to me, ‘If you want to think about the American Revolution, just remember, the population in the colonies was divided. A third loyal to the crown, a third patriots who wanted independence and a third in the middle that wanted to compromise.

I know that sounds simple, but that blew my mind. In 1976 I was eight and I was thrilled to be part of my little local town's bicentennial. And I just assumed that there was this mass movement toward independence, that it was consensus. But learning that one data point, and I use that when I talk to students about the revolution all the time. To me, that was really a great entree into exactly what you just said, people are human. They are reckoning with circumstances that we can barely imagine. So we should start with empathy. That doesn't mean sympathizing necessarily with choices they make, but it does mean that you can never fully capture at any moment the challenges and pressures that people in the past were up against. The best you can do is not to prosecute the past, but to sort of try to understand the causation that's involved.

RMPBS: We have seen that the Trump administration has directed some erasure of history, deleting some sites and certain words, things like that. What is your response to that? How do we deal with that?

SS: That's a tough question. History is constantly being generated. History Colorado is actually responsible for that like finding new historical sites. I have begun to see the plans that they have in store for the 250th. And I think there are lots of things that they're planning a massive state fair, a Garden of Heroes, which I thought was sort of interesting.

The erasure is complicated, I don't think I have any great insight. That is a good question for a public historian. 

RMPBS: What is the role of a state historian? Where do you see this role coming through for people? 

SS: Not to sound too Pollyanna, but I think it's an entirely positive one. All I mean by that is I see my job as first and foremost to share my passion around history, and to facilitate any public interest in the past. Whether that's to bring texture and concrete examples, evidence, artifacts, to their attention or whether it's bringing in new populations like K-12 students. I work a lot with teachers and, so I don't see this year as anything different than what I've been doing for a few decades, but maybe a slightly larger audience.

RMPBS: Where did that spark of passion for history first start for you?

SS: It started pretty late. I was not a person who grew up with much interest in history and thought it was pretty passive, a record of dates. It came extremely late when I was an undergraduate at Berkeley, and I had a class where the entire class was American History. But the entire reading list was documents and sources. So we learned about the Gilded Age in the Progressive era through cartoons, artwork, plays, songs, speeches, letters, newspaper headlines. And it blew my mind. And our job was to look at the sources and then try to tease out what was happening, but without a textbook. We had professors who were guiding us and were the experts, but it was about putting the sources at the forefront and then working back from them. And I felt particularly in love with political cartoons and newspapers. So I would say it was the primary sources themselves.

RMPBS: Do you have a favorite Colorado historical fact or story that you like to share with people that they may be surprised to learn about?

SS: Given my interest in the 19th century, I was absolutely floored to find out that Colorado was created in the midst of the secession crisis. And just as the nation was descending into war. And that Colorado achieves statehood just under the wire to send their three electoral votes into the presidential election of 1876, which became a tie. And so the most contested election in American history has to do with Colorado. Statehood was achieved in August. The election is in November. And so that's this wonderful story because it gets contested. It gets thrown to a commission. They ultimately determine the outcome. And it's a great compromise where a Republican will stay in the White House. But in exchange for that, Reconstruction ends and the troops are pulled out of the South. It's the very last moment of the American Civil War. And that leads to a kind of long period of Jim Crow.

RMPBS: Why is history important to today’s world?

SS: I would say in my capacity is teaching undergraduates the most important thing is that it helps them understand the production of everything around them. So everything we see, whether it's the houses we live in or the jobs we have. I remember being blown away when my grandparents sat me down, when I was in college and explained their own history in the Depression and World War II, and I felt this moment of being actually connected to the past for the first time. Because growing up in Los Angeles, you don't always get the sense that you're part of history, and of course you are. 

So that the thing I want my students to see is not necessarily how it produces them, but that everything around them is no accident. There are forces involved. There are events involved. 

[History] is also just sheer fun. It's an endless source of fascination. I was fascinated by my grandparents, their old photos, their old artifacts, the way they lived. So I would just say the sheer interest in it. No, that's not a great answer for why it has to be necessarily part of the curriculum. But I think that is the first answer, which is that it helps people understand where all of this comes from.

It's also a tremendously good reminder that people have been where we are before. Whether you're talking about periods of economic decline or political polarization or gender conflict, this is not the first time, it feels like it to us. It feels like we're constantly in uncharted territory. And that's not to say we have to look back because it's always going to be different. It's always an echo. It's not a repeat, but it is reassuring to me to kind of think about the long view. 
Type of story: Q&A
An interview to provide a single perspective, edited for clarity and obvious falsehoods.
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